“For me creating art is comparable to being an athlete. I work as hard as I can devoting all of my thoughts and energy towards a purpose until I feel total fatigue and cannot function artistically. Ultimately, it is the focus of thought from mind to hand that most intrigues me while heating an object. Working functionally gives me the skills that I require to solve technical problems when working non-functionally. I primarily use found objects in my work in hopes to bring about a change of view culturally and provide a greater value for our planet and the products we chose to use.â€
The Los Angeles Conservancy is a non-profit organization that works through education and advocacy to recognize, preserve, and revitalize the historic architectural and cultural resources of Los Angeles County. The Conservancy asked James to become a member of the board. LA Conservancy and James were like two peas in a pod, they saw eye to eye. James worked at preserving old signage and wreckage along with every piece of stuff that he could find. He saw the art in it, the beauty of it. Is that not preservation? www.laconservancy.org. His legacy was everywhere even at Santa Monica City College who has a Mcdemas rocking chair sculpture, in their library. While in school, James naturally understood Chemistry, Engineering, Math, fine Art, and metal logy and developed into a regular Einstein with old artifacts.
And then there was, his collection, the multi-dimensional one, the bookshelves, coffee tables, gravestones, Christmas ornaments, jewelry, wall ornaments, work tables, bed frames, end tables, daily exercise equipment, skateboards, snowboards, skiing, ironing board chairs, biking, photographs, collected vintage pieces, books need we say more. Ebenlo Paintersong featured a written review of his experience of staying one night at the McDemas studio, which James affectionately called, “The Art Service of California.†Ebenlo tells the story, “Artist Niciforos a minimalist artist was taking care of the studio for a short while after James’ passing. As we pulled up to the studio we took notice of a theatre type sign, and a sign that read, “Theatre Entrance†with an arrow pointing at the door, “I laughed, and noticed that certain, “Life as Art†overtones were present in the modern day art vernacular. When we walked in the door, there was stuff, everywhere. There were piles of stuff growing up from the floor, hanging from the ceiling, hanging off walls and windows, stored in freestanding shelf units. Tons and tons of salvaged metals from building projects. We saw Metal letter molds stored in a loft area, large and small. Metal pouring ladles, hanging from the wall. African wood art hung from the back wall.
For more information on James McDemas, please contact Carolyn McDemas at 310-592-5660.Â
Photos of the James MCDemas collection provided courtesy of Larry Underhill at Larry Underhill Photography.
(323) 854-6620 cell or underhillphoto@att.net
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Thank you for your observation.