In 1964, Ivor officially became a Beatle—no, not the bug, but one of the outrageously talented boy wonders out of London. In 1964, the London Daily Express gave Ivor the assignment of covering the Beatles story. They may as well have given him a wild stallion to tame. The assignment-turned-tour lasted for a good six weeks. Ivor, who no longer identified as Ivor, was now the official offspring of a band born of the Beatles. The English lads were a finely tuned episode of a life that Ivor came to know and love. This 60th year of “The Beatles and Me on Tour” is an amazing reminder that life goes on. Spirals up and down, sideways, and in a circle, and if we surrender to the tides of change, it can feel just like nirvana. And what about Charles Manson?”. Old Charlie Boy did have a problem. I never knew if tall men had any extra qualities than shorter men, so when the Manson story came up, where was my mind to go? The man was only 5″4′ but had the power to move women to do all sorts of ill will for him. Go against their families. Commit crimes and even lose their lives. Manson, a deeply infected sociopathic individual, intrigued Ivor. Ivor interviewed Sharon Tate, her entire family, and other victims who had encountered this horrid and mentally unstable person. I asked the writer and journalist if he felt that both Manson and Roehler suffered from the same kind of mental illness. He shared with our audience the differences between Manson and Roehler and the kind of personalities that both had. Manson experienced boarding school and a broken and highly dysfunctional home, whereas Roehler came from a respectable family and was considered by every mother, daughter, and possible future wife the best that a community could offer. Roehler’s focus was solely on money and perhaps power, but low-vibrating Scorpionic Manson’s was, in my opinion, about control and power. Ivor Davis has lived a cat’s life, seeing many things that would make it difficult not to move a hand to take pen to paper. I should only hope that by listening to masters like him, the future generation of storytellers and writers will have moved from thinking outside the box to not wanting or needing a box at all.




